it’s kind of weird - if not random - to be writing here, almost 5 years since my last post.
why now?
i’ve been reflecting on how much our (i.e. collective society’s) relationship with the internet has magnified.
you can interpret that as as you will — either/both good and bad.
COVID truly redefined what it means to be “connected.” in enforced isolation, the only thing that could safely connect us was the www, and more specifically, the platforms that were already becoming increasingly compulsive and opaquely divisive.
i feel wound up in it all – stuck in the inescapable puzzle of digital connection : sourcing inspiration : sharing my work. (i chuckle when i realize that i’ve been dealing with the same problems since i was 14 y/o and here i am, still making art about it).
we are in an age where we have never been more personally, socially, and professionally intertwined with social media.
i’ve been asking myself where i can turn to instead.
i had been wrestling with what my own answer was, until i realized it was here.
this personal archive. effectively what i’ve called me “talking into the void” all these years. it’s the special place i created for myself all those years ago where there was no other noise. just me. and that was all that mattered.
in high school, my outlet was photography and film. i’d spend afternoons doing homework and nights finding cool contemporary artists i liked or making mood boards or taking street photography.
when my outlet became my course of study (in college), there was no need for me to make art on my own. my passion became my job. since i’ve graduated high school, art-making had been “fed” to me – taught.
for me, filmmaking was once this beautifully nebulous art form that didn’t have structure or rules. it was my perfect art form that could synthesize all the things that i love: storytelling, photography, and graphic design.
but in film school, filmmaking is given incredibly rigid definition.
i wasn’t used to having a school grade attributed to my “authentically me” creative outputs.
grades never affected what i thought of my work, but it did make me think twice when conceptualizing ideas to fulfill prompts or projects. maybe i had forgone a better idea for a less original one that i figured my professor would prefer but didn’t represent me as well.
i’ve come out of school craving those high school homework afternoons where i was motivated by own want to find something cool that inspired me. making something in response, in my own way.
i don’t think that i’m alone in saying that, now, my free hours are easily lured by applications of infinite consumption.
even functioning as an impromptu portfolio of sorts for many, social media and my constant scrolling of other people’s work has continued to be somewhat self-afflicting. the double edged sword.
it is hard to resist comparison.
and now that art is my job, it is hard to resist comparison of “success.”
and here i am, 5 years later, trying to figure out what to do. literally and figuratively trying to find my roots again.
so i’m reclaiming what has been here all along – what i’ve come back to time after time to keep me grounded. this 11 year-old multi-media creative journal. just mine.
more to come.
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p.s. this is what america feels like right now ↴
p.p.s lukita took that photo of me at MOCA geffen at the top